Leslie Alan Reynolds (b. 1947, Edmonton) is a seminal figure in Canadian sculpture whose constructivist roots and material innovation have left a lasting impact on contemporary art, particularly in Edmonton and beyond. Known for his evolution from large-scale laminated wood sculptures to bold welded steel works, Reynolds masterfully bridges abstraction, figuration, and function. His practice—deeply informed by modernist mentors like Michael Steiner and influenced by voices such as Barnett Newman and Clement Greenberg—embodies a rare combination of intellectual rigor and expressive force.

From the abstract cylindrical and vessel-like forms of the 1980s to his later anthropomorphic “body pieces” and “horse pieces,” Reynolds has consistently pushed the boundaries of sculptural language. His more recent explorations in plant forms and landscape-inspired patinas reflect a sensitive response to his rural Alberta environment and a dialogue with ancient sculptural traditions from Greece, Africa, Polynesia, and the Tang Dynasty.

Collectors are drawn to Reynolds' work for its physical presence, historical resonance, and deeply human undertones. His sculptures are held in major institutions including the Art Gallery of Ontario, the Canada Council Art Bank, and the Winspear Centre, as well as in prestigious private collections across Canada, the U.S., the U.K., Spain, Hong Kong, and South Africa. With a career spanning over five decades and ongoing exhibitions through the new iteration of the Udell Gallery, Reynolds continues to create enduring works that speak to both modernity and timelessness.

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